Great Movie Comedians, The (From Charlie Chaplin to Woody Allen)
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The Three Stooges Collector Cards
Publisher | Year(s) Issued | Set Type |
---|---|---|
DuoCards | 1997 | Base Set |
- 72 card set.
- Images come from the short subjects, features, promotional & portrait shots, television, comic book covers and more, featuring all of the Stooges... Moe Howard, Larry Fine, Shemp Howard, Curly Howard, Joe Besser and Joe DeRita, as well as Ted Healy and supporting players.
- The backs of the cards present Stooge historical information, biographies and trivia related to the front image. In many cases the information is wrong or misleading, and card comments addressing these errors are provided.
- In spite of the superior card stock quality, and foil-stamped Three Stooges logo on each card, many of the images are poorly reproduced and some appear to be photographs taken from some Stooges books like Moe Howard & The Three Stooges and The Three Stooges Scrapbook. Overall, the card backs are more attractive-looking than the fronts.
Card No. 6 Larry
- Larry first joined as one of Ted Healy's stooges in late March 1928 in Chicago, replacing a [temporarily] departing Shemp in the Shuberts' touring Broadway musical-comedy revue A NIGHT IN SPAIN.
- Moe and Larry did not meet until February 1929, when both comics (with Shemp) joined Ted Healy for the Shuberts' new Broadway revue A NIGHT IN VENICE.
Card No. 13 The Racketeers
- Ted Healy utilized comics as stooges through most of the 1920s, but the act that evolved into the Three Stooges did not really begin until late 1928. Ted's solo act with wife Betty ended when they broke up. Moe, Larry and Shemp first came together as a trio in early 1929 in support of Ted in the Shuberts' A NIGHT IN VENICE, and that was when Healy conceived the idea to spotlight his stooges as his new vaudeville act.
- The billing of Ted Healy and His Racketeers was first used in late 1929.
Card No. 14 Sabbatical
- Moe left Healy's act immediately after his marriage to Helen in June 1925, and spent more than three years in real estate and sales. He returned in December 1928.
- Larry married in 1926. He did not become a stooge until late March 1928. After joining with Healy, he remained with the comedy team until retiring in 1970.
Card No. 15 Reunited
The "short" split was actually 2 years, August 1930 thru July 1932. The primary reason they rejoined Ted was, in those 2 years as "Howard, Fine & Howard" (aka "Three Lost Soles"), they worked consistently but did not enjoy the top venue billings Ted Healy provided and they did not earn as much as Healy paid.
Card No. 18 Split With Healy
The Stooges leaving did not create a "financial plight" for Ted, who was enjoying a successful run with MGM. An overlooked fact is, MGM was not a good comedy studio and it had no coherent plan for the Stooges in its films. Ted was guaranteed a 1934 contract renewal with MGM, but the Stooges were not.
Card No. 31 Changes
- Key personnel leaving can be pinpointed earlier, with Del Lord in the mid-1940s and Hugh McCollum & Edward Bernds in 1952. The era of film shorts had actually ended by this time, with Columbia keeping its production unit going several years longer than financially sensible.
- Moe, Larry & Shemp completed only 73 shorts... the last 4 were produced after Shemp's death, with just Moe & Larry and Joe Palma doubling for Shemp in a handful of new scenes.
Card No. 67 Question & Answer VI
A NIGHT IN VENICE was Moe Howard's return to Healy's stooges after a 3-year absence. Larry had been a member of the group since late March 1928, except for a 2-months stay in Atlantic City, NJ in January and February 1929 awaiting the birth of his daughter Phyllis.
Card No. 68 Question & Answer VII
Not because it was felt offensive to the Japanese, but because it was felt to be insensitive to American citizens of Japanese descent who had been interred in Relocation Centers during the war. The characters in the film are not Japanese POW's, they are refugees from a Relocation Center.
Card No. 70 Question & Answer IX
This was the 3rd Three Stooges short directed by Edward Bernds, but it was the first one released.
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